Final-Cut on WELLINGTON ROAD Pictures

FCP 7 and ProRes

Mon, 03 Aug 2009 17:59:28 +0000

FCP 7 introduces a 3 new HD codecs for production work, ProRes 4444, ProRes 422 (LT) and ProRes 422 (Proxy). With these additions, this brings to five versions of HD codecs Â available for production work. I did a simple comparison of Flip H.264 transcoding to all 5 versions, knowing full well that I wasn’t starting with the best source material.

The only version where I could see a difference was with ProRes 422 (Proxy). There were artifacts and a loss of detail. LT looked great, with no perceptible differences on up to 4444. Which means given the source, the best I could use is LT. That said, I did have striking differences in gamma between the new codecs looking identical to the source material and the “older” codecs, 422 and 422 (HQ) being much darker and losing details in the shadows.

Thanks, Norman!

Mon, 27 Jul 2009 00:34:53 +0000

I was thinking this, and was going to write about it but I didn’t have the depth of experience to make the point as clear as Norman does.

In his blog, Hollyn-wood (Norman, that is), Norman makes the point that the price cuts and the focus on ease of use sets this upgrade to Final Cut Pro/Studio as a significant push by Apple towards the low-end side of video editing. He doesn’t mean that Apple took features away or that Final Cut Pro isn’t capable of editing high-end feature films, what Apple did do was to introduce ways of helping the not-so-good be a lot better or sometimes, good-enough. AND, they dropped the price.

iMovie 09 and Flip Ultra HD

Sun, 21 Jun 2009 16:17:33 +0000

There seem to be a few questions as to the compatibility of the Flip Ultra HD and iMovie 09. Â The Flip Ultra HD and iMovie work great together! The latest version of iMovie 8.0.3 added the ability to optimize video. I started with 8.0.3, so I’m unsure on what I couldn’t do before .0.3 was released. A couple of quick points:

The Flip Ultra HD comes bundled withÂ FlipShare. It seems to work well enough for trimming and emailing videos but when you have iMovie at your fingertips, FlipShare is a bit lacking. FlipShare requires the 3ivx MPEG decoder. This decoder is included in the FlipShare software. If it isn’t installed, FlipShare will ask to install it.

FlipShare can trim video and “create a movie” by linking videos together, adding a title and credits, and a music clip. No great shakes but its free and is easy to use AND it comes on the camera so you can use it anywhere.

Compressor (and multiple cores) is your friend

Tue, 05 May 2009 03:23:43 +0000

This is a big deal.

In addition to what this note says note says, you can use other computers to render your files. It has taken me a little while to figure this out. This tutorial describes just using one computer but you can do the same for multiple computers. I did try this on a Dual 1GHz G4 and it slowed things down, so make sure that the additional computers have sufficient power.

FCP's DV Compatibility issues

Mon, 04 May 2009 01:56:45 +0000

While creating the previous post on iMovie 09, I ran across a very interesting post by David Pogue, related to his desire to combine Flip footage with footage from a high end Canon HD camera.

He was attempting to combine two vastly different video file types; Flip’s H.264 and Canon’s AIC. Final Cut Pro was re-rendering every time he did an edit, causing his workflow to slow dramatically.

His solution was to ensure that both files were rendered to the same format before continuing to edit.