Video

For the past 6 or 7 months, I’ve attempted to provide video to all types of platforms by encoding videos in both H.264 and WebM. WebM is the encoder of choice for Firefox, Chrome etc in other words “not-Apple” (though Microsoft has thrown in with Apple on H.264). I haven’t had much success. Most of the time, I was not able to play WebM encoded video in Firefox nor Chrome and it was an additional step in my workstream. ...

Thanks to Jon Gruber, I learned about Hype. Hype is a OS X application that makes it easy to create dynamic websites using HTML5 or more accurately, HTML5, Javascript and CSS3. Hype works. It is also version 1.0 so it is basic but it works, doesn’t crash and holds great promise. I’ve been attempting to change my WELLINGTON ROAD Pictures site from a database-driven, somewhat static site to a bit more dynamic, HTML5-based site for sometime. See here, here, here, here and here. Sigh, note the last time I attempted to make changes was almost 9 months ago. ...

No significant changes here. Added the required code for the site to be served by a database instead of hand-coding. A couple of small formatting changes but I’m ready to go from my old but lovely way of serving videos, Shadowbox to spanking, new HTML5. Step 4 One update and one non-update: Update; looks like H.264 is getting to be the standard for video.  Based on the MPEG LA announcement, H.264 will be forever free if the video being served is free. Due to this announcement, I’m going to focus on serving H.264 only and forget about… ...

FCP 7 introduces a 3 new HD codecs for production work, ProRes 4444, ProRes 422 (LT) and ProRes 422 (Proxy). With these additions, this brings to five versions of HD codecs  available for production work. I did a simple comparison of Flip H.264 transcoding to all 5 versions, knowing full well that I wasn’t starting with the best source material. The only version where I could see a difference was with ProRes 422 (Proxy). There were artifacts and a loss of detail. LT looked great, with no perceptible differences on up to 4444. Which means given the source, the best I could use is LT. That said, I did have striking differences in gamma between the new codecs looking identical to the source material and the “older” codecs, 422 and 422 (HQ) being much darker and losing details in the shadows. ...

I was thinking this, and was going to write about it but I didn’t have the depth of experience to make the point as clear as Norman does. In his blog, Hollyn-wood (Norman, that is), Norman makes the point that the price cuts and the focus on ease of use sets this upgrade to Final Cut Pro/Studio as a significant push by Apple towards the low-end side of video editing. He doesn’t mean that Apple took features away or that Final Cut Pro isn’t capable of editing high-end feature films, what Apple did do was to introduce ways of helping the not-so-good be a lot better or sometimes, good-enough. AND, they dropped the price. ...

I’ve been using the Flip Ultra HD for a few weeks and I really like the camera. What I don’t like or more accurately need is the FlipShare software. If you don’t have iMovie 09, FlipShare is probably worthwhile.  I do have iMovie and FlipShare is worse than superfluous, it auto-launches when I attach the camera to my Mac even though I want iMovie to import the clips. [ iMovie importing isn’t cast in-stone… I might start converting the H.264 video to ProRes format, if iMovie can easily handle it. More to come on this.] ...

So thanks to Nathan Henderson, I tried filming my drive home. I didn’t have a Gorillapod, so I used the next best thing, a glue clamp ($3.99) and a pair of rubber bands. It worked great! I attached the clamp to the rear view mirror then used rubber bands to hold the Flip to the clamp.  Then I drove home… (click on image for Going Home) I can hardly wait until we drive up Hwy 1!

There seem to be a few questions as to the compatibility of the Flip Ultra HD and iMovie 09.  The Flip Ultra HD and iMovie work great together! The latest version of iMovie 8.0.3 added the ability to optimize video. I started with 8.0.3, so I’m unsure on what I couldn’t do before .0.3 was released. A couple of quick points: The Flip Ultra HD comes bundled with FlipShare. It seems to work well enough for trimming and emailing videos but when you have iMovie at your fingertips, FlipShare is a bit lacking. FlipShare requires the 3ivx MPEG decoder. This decoder is included in the FlipShare software. If it isn’t installed, FlipShare will ask to install it. FlipShare can trim video and “create a movie” by linking videos together, adding a title and credits, and a music clip. No great shakes but its free and is easy to use AND it comes on the camera so you can use it anywhere. ...

OK, so Apple messed this one up. In Final Cut, when a clip is missing FCS has a sufficiently sophisticated method of finding the files. iMovie? Not so much. In fact, it doesn’t even ask for help! Background: I don’t like using iPhoto Library for my video files so I moved them out of iPhoto (using Finder, not iMovie) and into a separate iMovie Events folder. iMovie found these files no problem and can even help me maintain them (moves, adds, changes). BUT, it wouldn’t scan this folder for missing clips! ...

This is something I gotta do! Creating a scalable video webpage (First, sorry about the delay in posts… been on the road.) I saw this on one of my favorites… A list apart. It is a method for scaling videos that is based on the size of the viewing window. Given my site is ALL video and I try to make it friendly, I gotta give this a shot. Give me a couple of weeks.